Monday, October 29, 2012

Dance on Fire Sequel Released Today

The wait is over for fans of horror author James Garcia, Jr. Today, the sequel to his popular 2010 debut novel Dance on Fire is released. Heroes and villains we loved and hated -- and loved to hate -- in the first installment of this crossover vampire series have returned to reek more havoc in Kingsburg, CA. Members of this small  community are still  recovering from wounds inflicted when they were caught in the cross-hairs of two warring vampires, Nathaniel and Vincent. It's five years later, and things are about to get bad again. Very bad.

From the book description on Amazon, we learn Dance on Fire: Flash Point opens five years after the death of Steve and Angie Rosen's only child, Tiffany. Imagine the couple's shock and elation when they receive an unexpected guest to their Morro Bay, California home: their daughter. Tiffany explains she lost her memory from the terrible head wound inflicted during the fire that destroyed the family's Kingsburg home. And now she suffers migraine headaches that force her to hide from daylight in order to prevent agonizing pain. 

(You don't believe her story, though, right? No, me either.)

In fact, Tiffany's story is only half true. Tiffany is a vampire and Steve and Angie's daughter in name, only. She sleeps during the day and hunts for human blood during the night, and she has come back to enact a twisted revenge upon those who ruined the plans of her master, who is none other than the first Dance on Fire book's starring villain, notorious vampire, Vincent. And she is not alone. She brings with her four other vampires, all who carry great evil in their black hearts.

Meanwhile, the good vampire, Nathaniel, has pledged his service to the people of Kingsburg, but he is no longer among them. He lives high in the Oregon mountains near the California border, seeking whether God might yet have a place in His kingdom for him. 

When Nathaniel discovers that Tiffany has returned, will he be too late to stop her? And will his desire to protect his friends destroy what God has begun in him?


Dance on Fire: Flash Point is available for download in eBook format. Order your copy HERE.

James Garcia Jr. began writing when he discovered horror novels while in junior high. Later, he set aside his dream of being a writer while he and his wife started their family. Later still, while approaching his fortieth year, he began to feel the haunting desire to see that novel completed. After twenty years, "Dance on Fire" was published in 2010. James is an Administrative Supervisor for Sun-Maid Growers of California. 
Jimmy's social media contacts:


                                   


Friday, October 26, 2012

5 Tips to Create a Writer's Retreat at Home

A typical item on every Writer's Bucket List is "Attend a Writer's Retreat." In a perfect world each one of us would be granted time away from jobs and household responsibilities for a couple days every year, where we'd gather with fellow creative souls in mountaintop chalets, seated in deep-cushioned chairs around roaring fires in stone masonry hearths, and we'd write. Since this idyllic scenario only applies to the fortunate few, the rest of us have to be creative about how we carve out special time for writing inspiration.

"Getting away," says Judy Reeves, author of The Writer's Retreat Kit, "is the wish and dream and fantasy of every writer I have ever known and, I expect, of nearly every writer I will ever meet, except for those rare and blessed souls who are lucky enough, or determined enough, or rich enough, to already be 'away'."  So the real question becomes, how do we "get away" without spending a dime or leaving our homes?

Here are Reeves' tips for creating the writer's retreat experience, right in the comfort of your home.

1. Consider the word 'retreat' as a concept, not a place. So what if you're still home? The place where you write becomes less important as long as you can release your ties with the outside world and enter a place that invites you to connect with the Self.  Let the heart, mind, imagination and body align so that you write with intention; that's the key. Allow fresh inspiration to flow, just as you would do if you were physically attending an out-of-town retreat.

2. Create a safe and nurturing space to write. When I close my eyes and think "retreat," I see sun-dappled Adirondack chairs on a leaf-strewn deck in the woods in fall. You might see a sandy beach in December, or a breezy villa in the Greek Isles. All we really need is a sheltered place where we can let go of our defenses and slip into our solitude. Find the best place for you, whether it's on a blanket under a tree in your backyard, or in a back bedroom with walls you've covered ceiling-to-floor in road maps, or at the dining room table where you've draped white gauzy fabric over the windows and lit a slew of scented candles.

3. Embrace rituals that signal it's time to write. Sometimes tuning out the drone of life's distractions is difficult, if not impossible. But as mentioned above, a retreat is not just a place, it's a state of mind. Developing a ritual that alerts the mind it is time to calm down will benefit the writer ready to "retreat." The best relax-your-mind rituals invoke the senses. Examples to try include lighting incense, sipping herbal tea, playing music, chanting, or taking a shower.

4. Plan your retreat. This seems like a no-brainer. But what strikes the difference between a regular writing session and a retreat is that the retreating writer completely removes herself from ordinary time and the demands of everyday life. Obviously, this takes planning. Ensure you will have time alone; arrange for food to be prepared or delivered; plan to do no housework or laundry chores; turn off the TV; and close the Internet browser. It is possible, through careful planning and intention, for retreats at home to be deep and rewarding experiences.

5. Establish and prepare a theme for your retreat. The whole idea behind a retreat is to reinvigorate your inspiration through writing in a relaxed and creative environment. Reeves shares some truly exciting ideas for retreat themes. Here are a couple to get your gears grinding:

  • Beginnings and Endings -- Begin writing at the front door of your home and move through the space, stopping to write as you go, until you arrive at the back door. 
  • Family Stories -- Drag out a box of mementos or old home movies. Touch objects. Smell the perfume of the past. Watch yourself in black and white, as a young child. Remember and write.
  • Snapshots -- Collect your photos from all over the house and surround yourself with them as you write. Get inside the images; write from the places inside their borders.
  • Write by the Moon -- Sleep outside during a full moon. Take a moon bath. Get slides of the moon and project them onto a blank wall of your retreat space. How 'far out' can your imagination go? 

You don't have to have a wallet full of disposable income to experience the magic of a writer's retreat. With some creativity and intention, anyone can create a writer's retreat in their own home or backyard. Invite a couple writing friends to join your adventure. For more great home retreat ideas, pick up a copy of Judy Reeves book The Writer's Retreat Kit, available HERE. 

Have you ever experienced a Home Writer's Retreat? What was it like?


                                   


Thursday, October 4, 2012

I Shouldn't Be Alive


*Bullet* Two scuba divers surface in open ocean to find the dive boat has left them behind, miles from shore. ~*Bullet*~ On a ski vacation, a father and his eight-year-old son are caught in an alpine storm and find themselves miles off course, somewhere in the Sierra Nevada wilderness.~*Bullet*~ A cinematic photographer and his crew are filming footage of an active volcano when their helicopter crash lands in the crater. ~*Bullet*~A married couple in their late sixties becomes stranded in the mountainous Mexican dessert when their jeep overturns. *Bullet*

The scenarios above share several common denominators: They are all true stories. Each was immortalized as an episode of the reality television series I Shouldn't Be Alive. They each possess elements of an exciting Action/Adventure plot. And -- (writers take note) -- they epitomize the drama of the human experience when victims are faced with their own mortality.

For anyone unfamiliar with I Shouldn't Be Alive, a typical episode takes viewers through that fateful adventure when the spotlighted victim(s) nearly lost their lives. Beginning with the morning of Day 1, actors reenact the victims' movements leading up to a cataclysmic event, during the chaos as all hell breaks loose, and through the long days of survival and despair that follow until finally, mere moments before rasping their final breaths, they are rescued. Intermittent with the action are snippets of testimony by the real-life victims, stoic yet teary-eyed, which hammers home for viewers the realization that harrowing events like these could happen to anyone. Even you.

Now that's drama.

I'm a reality survival show addict. And yes, it's a bit embarrassing to admit it. So, to rationalize my dedicated viewership, let me tell you what I observe in every episode that relates (thank God) to writing.

Every episode contains the following:

*Target* The inciting incident, usually an accident involving a combination of human and mechanical failures, terrorizes the victims and sets off this chain of emotional responses: Blinding Fear (We're gonna die!*Right* Euphoric Relief (We're still alive!*Right* Cautionary Optimism (They're looking for us; we'll just tend to these wounds, sit tight, and wait.) *Right* Utter Dismay (They'll never find us; we're out of water; I think this is infected...*Right* Courageous Resolve (I have a plan...*Right* Abject Despair (I'm out of ideas. My God, this is it. This is really it.*Right* Exhausted Elation (We're saved. Oh God, it's really over.)

*Target* As the events unravel, we observe absolute proof that human beings are resilient creatures. With every step forward the victim takes to reverse his perilous situation, he inevitably falls three steps back. For example, in the episode with the helicopter crash in the volcano crater, the radio was damaged and the photographers realized their only chance of survival was climbing out of the crater. They made it pretty far up the crater wall. (GOOD). The air was less toxic and easier to breath higher up (GOOD). The crater wall was unstable and tiny shards of volcanic glass sliced their hands each time they slid down in the ash (BAD). Unable to continue up or go back down, they became stuck under the crater lip, out of view of rescue choppers (BAD). One guy made it back to the crash site and repaired the radio (GOOD). Alerted rescue chopper couldn't approach due to sudden inclement weather (BAD). And on, and on, and on.

*Target* At one point in every episode, the least injured or fittest victim must make the decision to leave the hurt or weaker person behind and try to find help. This is an excruciating choice to make, never more poignant than in the story of the father and his eight year old son. The dad made sure his boy was tucked into a tiny cave, out of the elements. Still, frostbite had already stiffened the boy's feet, and the wilderness surrounding him was home to hungry wolves and bears. The dad knew it could be days before he returned with help, meaning his young son would be alone, without food, those long days and nights. And there were no guarantees the dad would make it out, at all. Heartbreaking!

*Target* Almost every victim reaches a moment when they are resolved to the futility of their predicament. They will likely die, in a few hours, in a few days. With this acceptance comes the need to express themselves to those they will leave behind, so they write a letter to their loved ones. Last words of endearment, final requests, apologies. Their words are beautiful and emotional. Just thinking about writing a letter like that inspires stories in my mind.

Fiction writers can take plenty of notes on the craft while watching survival shows like I Shouldn't Be Alive. There are a couple other reality series like it, such as I Survived which focuses more on victims of violent crimes than man verses wilderness stories, and When Vacations Attack which is all about life-or-death crises that happen to people while on vacation. Each of these series showcases again and again the resilient human spirit in the most dangerous of circumstances. For me, it's the drama within the action/adventure that makes it so impossible to turn off.


Question For Next Time: What's your television addiction? Tell me how your TV guilty pleasure impacts your ability to write stories.



[By Nicole Ducleroir. Published October 3, 2012 in Writing.com's Drama Newsletter.] 




                                   


Friday, September 28, 2012

Mormon Diaries

It's my pleasure today to promote Sophia Stone's autobiographical essay collection, Mormon Diaries. It is a personal and honest story of one woman's faith crisis, and the journey she took to find answers to her burning, questions on spirituality.

"Brought up in a religious home, Sophia believes the only way to have a forever family is by following church leaders and obediently choosing the right. She goes to the right school, marries the right man in the right place, and does the right thing by staying home to raise her children. But when she starts asking questions about grace, love, and the nature of God, she realizes her spiritual struggles could rip her family apart." -- Sophia Stone

I wanted to ask Sophia some questions about the journey that inspired this book. Her answers were insightful and encouraged me to read more, in Mormon Diaries.

Thanks for joining me today Sophia. I've never been a religious person, even though I was raised in the Catholic Church. People of faith don't easily accept when you question their tenets or beliefs. I always dealt with that by keeping my questions and my disbeliefs quiet, private. Why did you hide your faith struggles from those closest to you?

I was afraid my faithful Mormon family and friends would think me either prideful or influenced by Satan if I admitted to doubting The Church. There’s a common phrase faithful Latter-day Saints use to explain away uncomfortable issues: “The Church is true. The people are not.” Those who leave the church are often labeled as angry, easily offended, prideful, lazy, or deceived. There’s no good reason to doubt, no good reason to question, no good reason to stop believing. Faith yields loyalty and obedience.

How is your family coping with this? Do they support you?

Well, it depends on what part of my family you’re talking about. My kids have been great, but they’re pretty young. I’m continually amazed by the open mindedness and trust of small children. I really think Jesus knew what he was talking about when he said that unless we become as little children we cannot enter the kingdom of heaven.

My husband, on the other hand, is having a really hard time. We’ve had to do some negotiating about the kid’s religious education. He wants them to believe in Mormonism and is very much attached to the outcome. The thought of his kids choosing to leave the LDS church is absolutely devastating to him. 

There are certain things that (for him) are non-negotiable. The kids WILL get baptized at age eight whether I want that for them or not. The kids will continue to go to the Mormon church each Sunday until they turn twelve. (He’d said eighteen originally, but has since softened). 10% of his income will continue to go to The Church whether or not I agree with that particular donation. We’re a single income family so that’s a pretty big deal, but he’s frightened, truly frightened that if he stops paying a full tithe, he’ll lose his job.

Although, in fairness, he say it has nothing to do with fear. Rather, he has faith in the principle of tithing. God will bless him for his financial sacrifice.

As for the rest of the family, my mother is struggling, the brother just younger than me acts as if he doesn’t know, my older brother has been accepting, and my sister is unpredictable. I’m not even sure how to characterize that relationship at this point. So overall it’s been a mixed bag where tolerance is concerned. As for support—no, I do not have family support. Nor is it something I can reasonably expect.

My husband is also a non-religious person, so I never had to wrestle these tough, faith-based issues with him. It's testament to the strength of your relationship that you're able to work through it with him. My extended family, however, is very Catholic. So, I can relate to the last part of your answer. So basically, I wonder how do you get someone who thinks you’ve been influenced by Satan to consider your point of view? 

Short answer: you don’t. 

Long answer: It’s odd to be on the other end of the “hate the sin, love the sinner” rhetoric. I always considered myself a fairly good, honest person. And I have to admit that I don’t feel like a different person just because I don’t believe in Mormonism like I used to. Certain things just don’t change, you know? I still like chocolate milk shakes. I still like people. I feel, in many ways, closer to God than I did a year ago. So it’s been kind of shocking to have people who always trusted me assume the worst.
 
Yes, that is the hardest part, for me too. So, how do you build relationships with people who think you are broken?

Oh, man, I wish I knew. Honestly, it depends on how important their Mormonism is to their identity. Those who are capable of accepting my brokenness without trying to fix it are much easier to have relationships with than those who work extra hard to fix me.

Yes! I live in the South, and people here (in general, so not everyone) feels the need to "fix" me so I'm normal again and want to go to their church. But what people on the outside think isn't important. It's what's going on inside your inner circle that counts. So, how has your change in beliefs affected your marriage and children?

I think it has benefited my children in a number of ways. First, by showing them that goodness isn’t based on legalistic rules, they are more accepting of themselves and others. Second, by helping them see that there isn’t one right way to be a decent human being, they are able to think the best of people. Third, by opening up to other ideas and spiritual philosophies, they are more open as well. 

As for my marriage, my change in beliefs has brought to light problems I’d been ignoring for years. Things having to do with power dynamics, issues with inflexibility, and some fundamental disagreements in parenting styles between my husband and I. My marriage has suffered and I worry about it often. But I also know that without the insights I have now, the relationship would continue to grow more unbalanced and necessary change would never occur.

I’m crossing my fingers and holding out hope in the marriage department.

I'm rooting for you guys! I have room for one more question. Tell me, who should read your book?

Anyone who wants to better understand how religions indoctrinate children, how they can unite and separate families, how they can bring peace and turmoil at the same time. Anyone who wants a more personal understanding of how it feels to grow up in a legalistic religion that values trust and obedience more highly than free thought, or anyone who wants to understand Mormonism. 

Please don’t misread that to mean my book is factually perfect. It’s not. It is based on my experience, and everyone’s reality is different. But I stand by my claim that people who leave Mormonism are often in an isolating place. It’s hard for an orthodox believer to understand why anyone would leave. It’s hard for those who’ve never been in a fundamentalist religion to understand why leaving one is such a big deal. To both these groups, I’d say, “please read this!” Understanding is vital.

Thank you so much for spending time with us today! I wish you the best of luck with Mormon Diaries continued success.





Mormon Diaries is available through these links:



Also, follow Sophia's tweets at Twitter.com --> @ask_a_mormon. Sophia will take any questions about Mormonism and answer them minus the usual spin, under the hashtag #mormonquestions.




                                   


Thursday, September 6, 2012

It's In The Mail

                                                                September 6, 2012

Dear Blogger Friends,

         I used to write letters. I guess we all did, right? As a society, I mean. Back before the computer age brought us lightning fast email and instant messaging, we wrote letters to each other. Remember the excitement of dropping that envelope in the mailbox down on the corner, knowing that in just five to seven days the recipient would slip his or her finger under the glued-down flap and read your words? How about watching for the postman each to day to see if, nestled among the bills and shiny sales circulars, a hand-addressed envelope from a friend waited for you? (Okay, a bunch of you have no idea what I'm talking about. Bear with me and read on, K?)

         You're probably wondering where I'm going with all this. Let me start by saying I recently received a special gift that brought my attention back to the art of letter-writing.

         I was sipping coffee with my cousin, Melanie, at her dining room table, listening to her talk about her visit with our extended family in upstate New York. She described the morning she spent with our ninety-year-old grandmother, beloved family matriarch and lifelong pack rat, who is on the decline and succumbing to ever-longer bouts of dementia. Nona was having a good day, though, and seemed to know who Melanie was as they chatted in her sunlight-flooded nursing home room.

         When Nona had tired, my cousin kissed her good-bye. In the hallway, an aunt offered to drive Melanie down to Nona's house where, she explained, she had found a box of old letters which my cousin may be interested in saving.

         Melanie held up two stacks of yellowed envelopes for me to see. Turned out, some of the letters had been written by her father in the seventies, when he and his young bride were stationed at the Army base in Germany where Melanie was born. My hand went to my heart. These, I knew, were a true treasure. We were all devastated when my uncle passed away, but none more than my cousin. Melanie had barely been a teenager.

         Melanie held the second stack up. Her eyes sparkled as she smiled, pushing it across the table to me. These letters, she explained, all have "Skeldon" written in the return addresses. Skeldon is my maiden name. 

         Two of the letters were written by my father to Nona when he was away at college. One of them even tells his mother about a girl he met named Diane, who he planned to make fall madly in love with him. It worked. Diane is my mother.

         The other letters, all postmarked in 1943, were penned by my paternal grandfather, James Adam Skeldon. 

         This is what I already knew: Nona, a blushing bride, had learned she was pregnant with my father just a month after my grandfather had shipped out with the Navy during World War II. He had come home on leave for three weeks in 1944, when he met his one-year-old son for the first time. James Adam Skeldon, Quartermaster, Third Class, died at sea on January 12, 1945 when his submarine, the USS Swordfish sunk off the coast of Japan.

My grandfather, James A. Skeldon

         With my cousin's gift, I realized I was poised to learn much more about my grandfather, and in his own words, too! I tucked those fragile, yellowed envelopes safely in my bag and left Melanie's house a much richer woman than when I'd arrived that day.

         I become emotional every time I read my grandfather's letters. In each one he addresses Nona as "My Dearest Mary," and he signs off with "As Ever, Jim." He talks about the ups and downs of life at sea, the day-to-day activities with his shipmates, his loneliness, and his frustrations. There is also hope in his words. It's the hope that gets me. A knot forms in my throat every time he writes, "When I get home..."

         When the gamut of emotions have run their course in my heart, I'm able to turn my attention to the art of letter writing, to the beautiful ceremony imbued in each: The date in the upper right hand corner, surely written before anything else; the greeting, a prerequisite formality that's softened by my grandfather's delicate terms of endearment; and the body of the letter, rich with voice, so that I can almost -- almost -- hear him speaking.

This reminded me of something I read in Bird By Bird.

         In that book, author Anne Lamott shares her knowledge on the creative writing craft and how to deal with the blockages writers often face. She devotes a chapter to the concept of using the letter form as a writing tool. She says, "When you don't know what else to do, when you're really stuck and filled with despair and self-loathing and boredom, but you can't just leave your work alone for a while and wait, you might try telling part of your history -- part of your character's history -- in the form of a letter. The letter's informality just might free you from the tyranny of perfectionism."

         I say, why not take this exercise one step further, and allow your character to write the letter? Maybe even to you! Because just like my grandfather's voice floats off the paper when I read the letters he wrote, so too will your character's voice come through.

         And listen, I can't be the only person with a pack rat grandmother who's kept every scrap of paper ever written to her. The next time you need some inspiration, seek out those old letters I'll bet are tucked away in a family member's attic. Trust me, they are filled with amazing stories to tell!

   As Ever,



Wednesday, July 11, 2012

Mary Sue, I Can't Stand You!

Artwork by ~Neeja at DeviantArt.com
"Mary Sue" (or her male counterpart, "Marty Stu" or "Gary Stu") is a character who is perfect in nearly every measurable way. She is drop-dead gorgeous, amazingly intelligent, and highly skilled in whatever urgent task needs performing. Her biggest flaws are trivial, like being younger than every other character, or having a short-temper, or possessing powers so strong that she has trouble harnessing them. These flaws never stop her from saving the day or being admired by everyone who encounters her. Everyone, unfortunately, except the reader.


"In 1973, Paula Smith first coined the term Mary Sue by writing a piece in 'A Trekkie's Tale' in Menagerie #2. The piece was satirical in nature, lampooning the original Star Trek female characters who became love interests for the central characters in the story."(Source ) Since then, fanfiction as a genre has grown in popularity, and with the rise of the Internet, Mary Sue characters today are more prevalent, and more reviled by fans and critics, than ever before. This may be because the fanfiction genre attracts some authors who are first and foremost fans of book or television series, and not necessarily experienced writers. They may not understand the importance of crafting multidimensional characters who must overcome inner struggles in order to face the ultimate challenges they'll encounter in the story's climactic scenes. Fanfic authors who fall into this category are simply enamored by the original, canon characters, and they enjoy weaving their own tales where those beloved characters go on new adventures with a character(s) born from the fanfic author's imagination.


When the fanfiction author creates a one-dimensional character which is based on the ideal version of him or herself, a representation of the person the writer would most like to be, and puts this flawless character at the center of their universe so they may right all the wrongs in the world, they bring to life a Mary Sue. "Basically, (Mary Sue is) a character representing the author of the story, an avatar, the writer's projection into an interesting world full of interesting people whom she watches weekly and thinks about daily. Sometimes the projections get processed into interesting characters, themselves. Usually, though, they don't." (Source


But inexperienced fanfiction authors are not the only writers who are capable of producing a Mary Sue character. In fact, many contemporary authors have crafted Mary Sues in their original works. Two of the most widely recognized canon Mary Sues are Bella Swan from Twilight and Wesley Crusher from Star Trek, The Next Generation.


Bella Swan is everybody's darling, a straight-A student who is beautiful but clumsy and stubborn, and the only person on the planet with private mind powers. Though she does nothing more than show up, she is immediately popular in her new school, particularly with the male characters, two of whom fall desperately in love with her and battle for her affections. Bella's physical descriptions ("...very fair-skinned, with long, straight, dark brown hair and chocolate brown eyes. Her face is heart-shaped—a wide forehead with a widow's peak, large, wide-spaced eyes, prominent cheekbones, and then a thin nose and a narrow jaw with a pointed chin. Her lips are a little out of proportion, a bit too full for her jaw line..." Source) match Twilight author Stephanie Meyer's exactly, right down to her heart-shaped face and prominent widow's peak. (Check out the photo of Meyers below. ) 


Star Trek fans will remember young Wesley Crusher, son of Beverly Crusher. He is handsome and his intelligence is off the charts. Despite being brilliant and considered a child prodigy, he is unable to pass the Starfleet Academy entrance exams. Despite this "flaw," he saves the Enterprise-D on seven separate occasions, each time coming up with disaster-thwarting solutions that none of Starfleet's best and brightest crew members could figure out.


Overwhelming criticism of the Bella Swan and Wesley Crusher characters exemplifies the biggest problem with Mary Sue characters: Fans can't stand these too-good-to-be-true creatures of perfection. 


People don't want to read about perfect characters. We can't identify with their unrealistic abilities and freedom from challenging flaws. So what if a character has waist-length silver hair naturally streaked with purple, and gold-flecked, emerald eyes? Who cares is she's tall and willowy, with delicate hands and whimsical habits? We don't buy it, that her inability to remember to close the refrigerator door despite being telepathic, constitutes a character flaw.

Characters that readers want to embrace are three-dimensional. They have capabilities we admire and defects we can relate to. It is through the characters' struggles that we identify with something to root for, something of ourselves.

If you're unsure your original character is not a Mary Sue, there are several "Mary Sue Litmus Tests" available online to help you decide. I recommend this one: The Original Mary Sue Litmus Test. After all, a Mary Sue can be an annoying distraction from an author's heartfelt attempt to entertain his or her reading audience. With a few inner challenges though, woven into the fabric of the character that provoke angst and cause the character to battle with herself, Mary Sue will be forced down a path of personal growth, one that will draw cheering fans to her sidelines.

What examples of Mary Sue or Gary Stu characters spring to mind from books you've read, television series you've enjoyed, or movies you've seen? 


Thanks for reading!

[I originally published this article in the July Newsletter at Writing.com.]






                                   


Monday, July 2, 2012

No Longer (New Poem For the Broken-hearted)

No Longer

It’s over,
this day and a lifetime
of love; of love 
have known 
nothing but 
his tender goodbyes.

Hello! Hollow sound
drowned by the roar of the surf,
Solitary footprints in the sand 
gilded in the glow of 
a setting sun, a sun setting 
on my fool’s paradise.

Wash them away, heartless ocean
Tide me over ‘til death, ‘til death…

…Do I part
from dreams unrealized,
when years of hanging on
have failed?

Grasping for the glittering horizon
a risen wind slaps my face
He loves me not
He loves me not
I stare at the waves as they lap at my feet

again and again and again...

Each time the sea ebbs
I sink
a little deeper
until one day
I'll disappear completely.

Enough, enough

Begin anew ~ I pledge
Loyal, devoted dog, I am no longer
No longer willing
to wait for tomorrow’s sunrise
to live.
To live.

~by Nicole Ducleroir, 6/2012~



Thanks for reading!